This Historic Day… My Father

Francis Matthew Sinclair, my father, was born on this day, May 27, in the year 1915.

He was the son of Joseph F. and Mary (Winkler) Sinclair and lived almost his entire life in Exeter, NH. He graduated from Exeter High School in 1933.

In May of 1941, he married my mother, Avis Louise Foss, in Exeter, NH.

In 1961, Dad started his own business; collecting and selling wildflowers and ferns. He and my mother operated this business, entitled Francis M. Sinclair Wildflowers, from a property on Newmarket (now Newfields) Road on the outskirts of Exeter. We moved there during the summer of my 8th birthday. I worked with my Dad every summer from high school through college.

Besides his business and his family, my father had two other passions in his life: being a fireman and going ice fishing.

As a firefighter, Dad was an active, long-time member of the Exeter Fire Department, serving as a “call fireman,” attached to Engine #1.

In the winter, the off-season for collecting ferns and widflowers, Dad went ice fishing, in his 8’x8’x7′, hand-made shack, catching smelts whenever the tide was right on the Newmarket River. For many years, once I was deemed old enough by my mother, Dad often took me along.

In the mid-1980’s, Dad retired from the wildflower business. By the early-1990’s, his life of often-demanding physical labor began to take its toll and his ice fishing days became a soon-to-be thing of the past as well.

Inspired by a novel I was reading at the time, “Language In The Blood” (1991) by Kent Nelson and singer/songwriter/guitarist Steve Goodman’s wonderful 1988 waltz, “Old Smoothies,” I set out to chronicle our ice fishing adventures in a song.

In honor of my father’s birthday, here it is.

“Winter Of ’92” – words, music, guitar & vocals by Eric Sinclair

The most valuable lesson I learned from my father, and one for which I am continuously grateful, was the incalculable importance of making your living doing something you love to do.

Dad passed away on January 26, 2000.

Miss him.

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This Historic Day In Music: Bob Dylan

Today – May 24, 2012 – is Bob Dylan’s 71st birthday.

Two years ago, in celebration of Bob’s big day, I asked: “What is your favorite Bob Dylan song?”  Many of you posted your answer through the “leave a comment” link below and helped produce a very interesting list.

To get the party started this year, I pose another question for your consideration: “What is your favorite cover version of a Bob Dylan song?”

Since the release of his first album on March 19, 1962, no songwriter has had a greater influence on the world of music than Bob Dylan.

One indication of the breadth and depth of Dylan’s influence could be measured in the vast number of singers and bands who have recorded a cover version of a Bob Dylan song. (It might, however, be easier to add up how many singers and bands have not recorded a cover version of a Bob Dylan song.)

From among the limited number of artists that I know of who have taken on the task, here is a not-so-brief overview.

Probably the most well known covers are those of “Blowing In The Wind” by Peter, Paul & Mary (released as a single in June, 1963, one month after Dylan put out his rendition of the song on his second album, The Freewheelin’ Bob Dylan); “Mr. Tambourine Man” by The Byrds (in 1965); and “All Along The Watchtower” by Jimi Hendrix from his 1968 double album Electric Ladyland.

The Byrds did covers of so many of Bob Dylan’s songs that, in 1995, Columbia Records put out an entire album of them and called it The Byrds Play Dylan. Joan Baez recorded and released an all-Bob album in 1968 entitled Any Day Now.

I know of at least two smaller record companies who went to their roster of artists and enlisted enough of them to record a Bob Dylan song to compile the recordings into a Bob Dylan “tribute album.”

Red House Records released A Nod To Bob in 2001 for Dylan’s 60th birthday and A Nod To Bob 2 in 2011 for his 70th. Telarc Records, a Blues label, put out Blues On Blonde On Blonde in 2003, a compilation of Blues-inflected covers of songs from Dylan’s 1966 double LP Blonde On Blonde.

More than a few individual Bob Dylan songs have been the subject of multiple cover versions by a surprisingly diverse list of artists.

For example, “I Shall Be Released,” written by Bob in 1967, was recorded by The Band in 1968, Joe Cocker in 1969 and Bette Midler in 1973, to name a few. (Dylan did not release his recording of “I Shall Be Released” until 1971.)

Already in 2012, Amnesty International put together a fund-raising collection containing 4 CD’s full of Dylan covers entitled Chimes of Freedom: The Songs of Bob Dylan. Bonnie Raitt included two Bob Dylan songs – “Million Miles” and “Standing In The Doorway” from Dylan’s 1997 album Time Out Of Mind – on her outstanding new CD: Slipstream.

Among my favorites (and on my long iPod playlist I call “Covered Dylan”) are the following performances.

“Just Like A Woman” by Richie Havens from his 1967 LP, Mixed Bag.

“Just Like Tom Thumb’s Blues” by Nina Simone from her 1969 LP, To Love Somebody.

“With God On Our Side” by Buddy Miller from his 2004 CD, United Universal House of Prayer.

All of those are very highly recommended and essential listening.

In closing, Rodney Crowell, a highly successful and extremely well regarded songwriter in his own right, shared his feelings (and, I would guess, those of many other songwriters) about Bob Dylan’s songs in the opening line of his song “Beautiful Despair” from his remarkable 2005 CD The Outsider.

“Beautiful despair is hearing Dylan when you’re drunk at 3 a.m. / Knowing that the chances are no matter what you’ll never write like him.”

Happy Birthday, Bob Dylan!

May you stay forever young.

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This Historic Day In Music: “Maybellene”

On May 21, 1955, Chuck Berry recorded his song “Maybellene” in the Chicago, Illinois studio of Chess Records.

On May 21, 2010, I wrote and published my first post filled with all the details of this momentous musical event. I hope that you’ll dig into the archives and check it out.

What you won’t find in that post, however, is a way to listen to this classic song.

You can do that from this post.

“Maybellene” was released by Chess Records in July of 1955 as the “A side” of a 7-inch, 45-rpm record (a “single”) with the song, “Wee Wee Hours” on the “B side.” It reached #1 on the Billboard “Rhythm & Blues” chart by August.

Thanks to the wonders of YouTube, I can also share with you this video of Chuck Berry performing “Maybellene” live on a French TV show. This was recorded in 1955, 1958 or 1963, depending on which video and/or comment you believe.

As my son used to say: “Wait for it…”

Well, what did you think of that?

“Maybellene” – 57 years young.

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“The Reason I’m Here”

Musically, it’s a waltz.

Lyrically, it’s a love song, with two verses, a chorus and a bridge: “I know how it might seem, but you’re still the reason I need to believe.” (As true now as it was then.)

Guitaristically, I play it fingerstyle, in dropped-D tuning and with a capo at the first fret. (I think the instrumental introduction does an especially good job of setting the mood of the song, if I do say so myself.)

I recorded “The Reason I’m Here” in 1988 and placed it as the third track on my first album, Anytime. (See my post of April 1, 2012 for more on Anytime.)

I wrote this song sometime between March, 1985 and April, 1986.

Click on the blue link below to give it a listen!

“The Reason I’m Here” – words, music , guitar & vocals by Eric Sinclair

If you’d like to hear more songs from Anytime, visit my archived posts of April 7, 2012 (“You’re The One”), the previously-mentioned April 1, 2012 post (“Anytime”) and my March 8, 2011 post (“The Ladies of Fairburn”).

And… there are more songs to come!

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Wrestling With The Angel, Chapter 3

Montgomery Ward stood at one end of the Newington Mall. Bradlees stood at the other.

In the 1970’s and ’80’s, the Newington Mall (“It’s one big store, it’s one big store…”) was the destination shopping center in this southeast corner of New Hampshire. In between the two, big name department stores, the main part of the mall contained a large and ever-changing variety of smaller specialty stores including the irresistible book and record store: Paperback Booksmith & Musicsmith and, in the early 1990’s, the sports card collector’s paradise known as Diamond King Sports.

Bradlees sold records too, and that’s where, in 1972, I bought my copy of the self-titled debut album (aka: Saturate Before Using) from singer/songwriter/guitarist & pianist Jackson Browne.

I could write a rather extensive post on the impact and influence this album has had on me over the years, but the purpose of the Wrestling With An Angel series is to highlight and share individual songs that are on a list of mine entitled: Devastatingly Great Songs.

“Something Fine,” the first song on the second side of Jackson Browne, is on that list.

The song was written by Jackson Browne and the recording is quite simple: Jackson  on fingerpicked acoustic guitar and vocals, with David Crosby adding harmony vocals on the chorus. Nothing else is really needed when the lyrics and the melody and the guitar accompaniment are this perfect. It’s even amazing without David Crosby.

Listen.

I hope you enjoyed that as much as I did when I discovered it on YouTube.

“Something Fine” by Jackson Browne.

P.S.: The title phrase, “Wrestling With The Angel,” is my paraphrase of a line from a poem by Herman Melville called Art. You can read the complete poem in my archived post of November 4, 2011: The Source. The first two posts in this series can be found in the archives for October, 2011.

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This Historic Day In Music: Pete Seeger

Pete Seeger is always good for a quote.

My favorite is from the introduction to his children’s book Abiyoyo (1985): “Practice may not make perfect but it sure as hell makes for improvement.”

From The Protest Singer: An Intimate Portrait of Pete Seeger (2009) by Alec Wlkinson (very highly recommended), Pete said: “People ask, is there one word that you have more faith in than any other word, and I’d say it’s participation. It’s been my life work, to get participation, whether it’s a union song, or a peace song, civil rights, or a women’s movement, or gay liberation. When you sing, you feel a kind of strength; you think, I’m not alone, there’s a whole batch of us who feel this way. I’m just one person, but it’s almost my religion now to persuade people that even if it’s only you and three others, do something. If it’s only you, and you do a good job as a songwriter, people will sing it.”

Pete’s father, Charles Seeger, once wrote a list of observations that Mr. Wilkinson included in the back of his book. My favorites are #4 and #5.

4. Every person is musical; music can be associated with most human activity, to the advantage of both parties to the association.

5. The musical culture of a nation is, then, to be estimated upon the extent of participation of the whole population rather than upon the extent of the virtuosity of a fraction of it.

Pete Seeger was born this day, May 3, in the year 1919.

Happy Birthday, Pete.

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This Historic Day In Music: Judy Collins

She wanted a guitar.

It was 1967, she was going into the 8th grade and Andrea wanted a guitar.

So, she saved up her hard-earned babysitting money and on September 29, 1967, Andrea spent $28.00 on a small-bodied, nylon string acoustic guitar with a tan, cloth case.

Before October ended, she was taking weekly group guitar lessons from Charlie Wright, a local Folk singer who went to the same Congregational church in Park Ridge, New Jersey that Andrea and her family belonged to. Mr. Wright drew from a large repertoire of Folk music in his teaching and Andrea was soon strumming through and singing along with the chord changes to a host of classic, traditional songs, including “The Crawdad Song,” “Cruel War” and “Yellow Bird,” and contemporary songs by a list of popular artists that included Tom Paxton, Simon & Garfunkel and Bob Dylan.

Also in the mix of songs that Mr. Wright taught Andrea to play over the many months she took lessons were two songs popularized by singer/guitarist Judy Collins: “A Maid of Constant Sorrow” and “Both Sides Now.”

“A Maid of Constant Sorrow” was the title song of Judy Collins’ first album, released in October of 1961. Ms. Collins’ version of “Both Sides Now” (written by the then-little-known Canadian musician Joni Mitchell) was all over the radio in 1967, being the hit single from her 7th album, Wildflowers.

Although she enjoyed playing these songs, Andrea didn’t really “hear” the music of Judy Collins until the summer of 1971.

That summer, 17 year-old Andrea had done enough babysitting.

She got a job, working and living far from New Jersey at Geneva Point Center, a church camp/conference center on the shores of Lake Winnipesaukee, in Center Harbor, New Hampshire. All summer long, Andrea, with her roommates and friends Patty, Wendy and Eleanor listened, danced and listened some more to their large, combined collection of records that included the latest LPs from the Beatles, James Taylor, Carole King, Joni Mitchell and Judy Collins.

In those days, at that time in her life, the music of those artists, especially the women, had a profound impact on Andrea. These women were indeed women, not “girls,” as in the “Girl Groups” of her old favorite Motown records. These women were singers, too, but they also wrote their own songs and accompanied themselves on piano and guitar. Andrea deeply connected to the words and the stories and the ideas and the emotions that filled the tracks on those records and that poured out of the record player’s speakers, flooding the warm air, day and night in that tiny, first floor corner room in the staff dormitory, sitting at the edge of a New Hampshire forest.

Thirty-six years later and several Judy Collins albums – including a copy of Living (1971) that she won, late one college-dorm-room, listening-to-the-radio night, by being the only person to call in with the correct answer to the question posed by the not-as-clever-as-he-thought-he-was WUNH-FM disc jockey – and CDs later, Andrea finally saw Judy Collins sing and play in person.

On Sunday, September 16, 2007, Andrea and her husband (that would be me), travelled to see Ms. Collins perform at Merrill Auditorium in Portland, Maine. The very first song Ms. Collins played that night, standing center stage and strumming on her huge Martin 12-string guitar, was “Both Sides Now.”

For Andrea and millions of women around the world, the music of Judy Collins lies very, very close to the heart.

Judith Marjorie Collins was born this day, May 1, 1939 in Seattle, Washington.

Happy Birthday, Judy Collins.

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Another “This Historic Day In Music” Quiz

What was the name of the electric Blues guitarist who was born on this day, April 25, in the year of 1923, in Indianola, Mississippi?

Hint #1: He played a standard-issue, Gibson Flying V electric guitar – which he named “Lucy” –  left-handed and thus, upside-down.

Hint #2: In the All Music Guide to Popular Music (4th Edition), Daniel Erlewine & Stephen Thomas Erlewine write about this musician that: “His style is immediately distinguishable from all other Blues guitarists, and he’s one of the most important Blues players to ever pick up the electric guitar.”

Hint #3: I wrote about him in my archived blog post of April 25, 2010.

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And Now… Levon Helm

The Band was blessed with three lead vocalists – three distinctive, evocative, stunningly expressive lead vocalists: Richard Manuel, Rick Danko and Levon Helm.

Richard Manuel – songwriter, keyboard player, occasional drummer – was the lead voice on many memorable tracks including “Tears of Rage” from The Band’s first album, Music From Big Pink (1968) and “The Shape I’m In” from Stage Fright (1970).

Richard passed away in 1986.

Rick Danko – bass guitar, violin – took the lead on songs including “This Wheel’s On Fire,” a Music From Big Pink number that he co-wrote with Bob Dylan; “Time To Kill” from Stage Fright; and “It Makes No Difference” from The Band’s 1975 album Northern Lights – Southern Cross.

Rick passed away in 1999.

Now, the last of these three remarkable singers is gone as well.

Levon Helm, born May 26, 1940, the one American in an otherwise Canadian band, passed away on April 19, 2012.

Levon’s voice was as much a part of the unique sound of The Band as was his drumming and his occasional mandolin playing. Of the three singers, his voice was probably the most well known, being the lead voice on the group’s biggest hits: “Rag Mama Rag,” “The Night They Drove Old Dixie Down” and “Up On Cripple Creek.”

That was from The Band’s last concert, given on Thanksgiving Day, 1976, in San Francisco and preserved in the film The Last Waltz by director Martin Scorsese.

In the history of Popular Music, very few musical groups of any genre produced recordings that combined brilliantly intelligent songwriting, impeccable musicianship, intricately-detailed-yet-effortless-sounding arrangements, dazzling sonic gorgeousness and an ever present, intoxicatingly joyful exuberance as did The Band.

With a nine year tenure, running from 1967 to 1976, Rick Danko, Levon Helm, Garth Hudson, Richard Manuel and Robbie Robertson were The Band.

If you’ve got time for another song, here’s my personal favorite.

Music this good will never, ever get old.

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Two Years

Today, April 18, 2012, sixstr stories turns two years old.

In looking back over those two years as documented on the “site stats” page that WordPress provides, I found some interesting information.

(Well, to me, it’s fascinating. I hope you find it “interesting.”)

This blog has been viewed a grand total of 7,263 times.

The vast majority of those views originated in the USA, but viewers in 40 different countries from around the globe have visited this blog as well.

Sixstr stories has 8 “followers.”

The archives of this blog contains 137 posts.

Those 137 posts are divided into five categories. Posts with titles that start with “On This Day In Music History” and “This Historic Day In Music” make up the largest category with a combined total of 66 posts.

16 posts have links to a music video (or two) and 30 posts have links to an audio track. The vast majority of those audio tracks contain original music that is only available on this blog. (If you know otherwise, please let me know!)

Those 137 posts have received 179 approved comments (and been protected from 1,668 nasty spam comments.)

All of that in 2 years.

It seems like only yesterday that I was sitting next to my daughter on the couch in her apartment, watching in amazement as she opened her laptop, went to WordPress.com and signed me up for my very own blog.

So, thank you again to my daughter and special thanks to my wife for her support, encouragement and mad copy-editing/proof-reading skills.

To all of you: my viewers, followers, comment-leavers, readers and listeners – a multitude of thanks. Your time, attention and participation are most appreciated.

Two years.

Time does indeed fly when you’re having fun, especially when you’re having as much fun as I’ve been having with sixstr stories.

“Good music doesn’t get old.”


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